Combo Charts
Combo Charts (many sizes and combinations) and miscellaneous charts.
Combo Charts, Combo arrangements, Combo sheet music
$8 per chart (unless otherwise noted)
These are generally Combo Charts
(miscellaneous combinations: piano, choir, pit orchestra, quintet, quartet, etc.).
Note: Some of these arrangements were intended as vocal backgrounds for a vaudeville show that never materialized. I was hired to write these arrangements loosely based on (but not too close to) the original 1920s recordings. These are referred to (below) as “6-piece combo.” The instrumentation for those charts is: Alto sax/clarinet, trumpet, violin, piano, banjo, and tuba. Others, such as “Buenos Aires” and “Creole Jazz” were for-hire transcriptions and have other instrumentation. Scores are provided with charts written in Finale. The earlier “manuscript” charts do not come with scores.
If a chart is a transcription, it should sound very much like the recording. For many of the arrangements and original compositions of mine, I have mp3 recordings. Please ask me for specific titles and I will send them to you.
I also do custom work (transcriptions, arrangements, film scoring, karaoke tracks, etc.). Please click on ” Custom Transcriptions & Arrangements” (above) or mikehenebry.com (where I sell my original compositions).
When you are ready, please go to “checkout.” Upon checkout, you can either pay with a credit card or use PayPal (or use PayPal to create a PayPal account or pay with a Credit card or a Debit card there). Either way, you will be provided a download link, on the spot, that never expires.
THE COMBO CHARTS:
.75 Minute Waltz + or – .08 (composed by Mike Henebry) (piano solo)
[adCombo Chartsd_to_cart id=”596″]
A Beira de Baia (composed by Mike Henebry) (for Alto Flute, Bass Flute, Alto Sax, Drums, Latin Percussion, Acoustic Guitar, Rhythm Guitar, Piano, Vibes, Organ, Choir and Strings)
Ah (vocal choir, SATB) composed by Mike Henebry
A Smooth One (as recorded by Benny Goodman Sextet (clarinet, trumpet, tenor, piano, guitar, bass, drums)
A Smooth One, expansion of Benny Goodman version to 4 horns: alto, tenor, trumpet, trombone, piano, bass, drums
All Alone (6-piece combo)
All That Jazz & Overture Movie “Chicago” (female vocal) reduction to 8-pc band: clarinet, alto sax, trumpet, trombone, banjo, piano, tuba, drums
All the Cats Join In, reduction of Goodman version to alto, tenor, trumpet, trombone, piano, bass, drums
Baroque Dream (composed by Mike Henebry) (string quartet + harpsichord)
Blue Adagietto, (composed by Mike Henebry) trumpet, piano, bass, drums
Blue Lou, reduction of Benny Goodman version to alto, tenor, trumpet, trombone, piano, bass, drums
Blues for Yolande (as recorded by Coleman Hawkins & Ben Webster) two tenor saxes, piano, guitar, bass, drums
Blues for Madeleine (as recorded by Wild Bill Davis & Johnny Hodges) clarinet, alto, trombone, guitar, organ, bass, drums
Borneo, reduction of 1928 Frank Trumbauer to quintet: clarinet, trombone, piano, bass, drums
Bounce Me Brother With a Solid Four… from the “Buck Privates” Soundtrack (clarinet, tenor, bari, 2 tpt, tbn, rhythm)
Buenos Aires (from Evita) (a la Madonna) (2 sax, 2 brass, rhythm)
Cantina Band (from Star Wars) (sextet: clarinet, soprano sax, alto, 2 tenors and bari)
Christmas Song, The (James Taylor transcription) (alto, trumpet, trombone, strings, rhythm, male vocal)
Cotton Club Stomp, reduction of 1929 Duke Ellington to quintet: clarinet, trombone, piano, bass, drums
Creole Hot Sauce, Zydeco (composed by Mike Henebry) accordion, violin, guitar, washboard, bass, drums (composed by Mike Henebry)
Creole Jazz (as recorded by Acker Bilk) (clarinet + rhythm)
Dippermouth Blues, reduction of Glen Gray to alto, tenor, trumpet, trombone, piano, bass, drums
Dippermouth Blues, reduction of Glen Gray to clarinets (7 soprano, 3 alto and 3 bass clarinets) plus rhythm
Djangoesque (composed by Mike Henebry) (Violin, 2 acoustic guitars and string bass)
Don’t Keep Me In The Dark, Bright Eyes (6-piece combo)
Fanfare for Hercules (brass band) 6 trumpets, 5 horns, 3 trombones, bass trombone, 2 tubas, percussion
Flip, Flop and Fly (As recorded by Big Joe Turner, ’55)
Glad Rag Doll (6-piece combo)
Go Tell it on the Mountain (James Taylor transcription) (tenor, trumpet, trombone, strings, rhythm, male vocal)
Hot Licorice (composed by Mike Henebry) Clarinet quartet
How Could Red Riding Hood? (6-piece combo)
Hungry Women (6-piece combo)
I Get Ideas (as recorded by Louis Armstrong ’51) 4 saxes, trumpet, trombone, rhythm, male vocal
If I Had A Talking Picture Of You (6-piece combo)
If I Had You (6-piece combo)
I’m Just A Vagabond Lover (6-piece combo)
It All Depends On You (6-piece combo)
Jump, Jive an’ Wail (as recorded by Louis Prima) vocal, trumpet, tenor, trombone, rhythm section
Just a Gigolo/I Ain’t Got Nobody (as recorded by Louis Prima) vocal, trumpet, tenor, trombone, rhythm section
La Vie En Rose (based on Melissa Manchester recording (violin, clarinet, alto sax, tenor sax, bari sax, piano, bass, drums)
Love Me or Leave Me (based on the Sammy Davis, Jr. recording): vocal, synth, piano, bass, drums
Minor Swing (’37 Le Quintette du Hot Club de France): 2 guitars, violin, bass
Moten Stomp, reduction of 1927 Bennie Moten to quintet: clarinet, trombone, piano, bass, drums
Oily Rag (This is an original ragtime piece composed by Mike Henebry.) Solo Piano $5
Out of Nowhere (Coleman Hawkins & His All-Star Jam Band, 4/37 ) (clarinet, alto, tenor, trumpet, rhythm section).
Petite Fleur (arrangement) (violin, clarinet, alto sax, tenor sax, bari sax, piano, bass, drums)
Save My Soul (Big Bad Voodoo Daddy) 10-pc band (2 tpts, alto, bari, 2 tbns & rhythm section)
Shenandoah Fiddle (composed by Mike Henebry) Bluegrass. Violin, Banjo, guitar, bass
Shipoopi (From the Music Man) transcribed from a recording (three reeds (clarinet, flute/piccolo, soprano/flute/bari), 2 trumpets, 2 trombones, keyboard, bass, drums, cast vocalists).
Sixteen Tons (as recorded by Tennessee Ernie Ford) (vocal, clarinet, bass clarinet, trumpet and rhythm section)
Snibor (as recorded by Johnny Hodges) (Alto sax, Tenor Sax/clarinet, bari sax, trumpet, trombone and rhythm section)
Some Children See Him (James Taylor transcription) (vocal, piano and strings)
Someone To Watch Over Me (6-piece combo)
Stampede, reduction of 1926 Fletcher Henderson to quintet: clarinet, trombone, piano, bass, drums
Stardust, reduction of Artie Shaw to 8-pc band: clarinet, alto sax, trumpet, trombone, banjo, piano, tuba, drums
Summertime (as recorded by Sidney Bechet, 1939) Soprano sax (optional clarinet), guitar , piano, bass, drums
That Old Black Magic (as recorded by Louis Prima, 1958) (tenor sax, trombone, rhythm section and vocal duet)
This is My Life (Shirley Bassey) for brass band (vocal, 4 trumpets, Flugelhorn, 2 Alto Horns, 4 trombones, Eb tuba, rhythm sect.)
Train Kept a-Rollin’ (as recorded by Tiny Bradshaw, 1951) vocal, 3 saxes, 2 trumpets, trombone, rhythm section
Tubalistics (composed by Mike Henebry) (for 4 Euphoniums + 4 tubas)
Tubalistics Quintet (composed by Mike Henebry) (for 3 Euphoniums + 2 tubas)
Tuxedo Junction, Erskine Hawkins version reduced to 4 horns: alto, tenor, trumpet, trombone, piano, bass, drums
You’ll Never Walk Alone (Brass Choir + synth & harp) Based on Ryan Anthony version
Way Down Yonder in New Orleans (based on Dutch Swing College Band) (violin, clarinet, alto sax, tenor sax, bari sax, piano, bass, drums)
We’ll Meet Again, reduction of Vera Lynn version to vocal, clarinet, alto, trumpet, trombone, violin, guitar, piano, bass, drums
When I’m Feelin’ Kinda Blue (Johnny Hodges & Wild Bill Davis) (alto sax, organ, bass, drums)
Winter Wonderland (James Taylor transcription) (alto, trumpet, trombone and strings, male vocal)
Woodchoppers’ Ball reduction of Woody Herman to 8-pc band: clarinet, alto sax, trumpet, trombone, banjo, piano, tuba, drums