Big Band Charts (arrangements and transcriptions).
Big Band Charts, Big Band Arrangements, Big Band Transcriptions
Big Band Charts $15 per chart (unless otherwise noted)
To clarify, a “chart” is an arrangement (a full orchestration), it includes all of the parts for all of the instruments.
These Big Band Charts are, generally, note-for-note transcriptions of the big band charts that the original band recorded. And, in many cases, even the solos are transcribed. The big band charts here are big band arrangements and big band transcriptions, “charts.” In most cases, the style is big band swing from the 1930s and 1940s. The charts that say “arrangement” are my own arrangements. Be sure to check out the “Orchestra & Strings ” link above too. There are some charts with Big Band + Strings (and most of the time the strings are optional) or full orchestra + Big Band.
Instrumentation:
Big Band Charts Note: The instrumentation varies a little from chart to chart (usually from 13-17-pieces). With the 13-piece charts, usually there is no guitar (although the piano part can be used since the chords are always noted). So, the real range is from 14 to 17-piece.
The instrumentation is noted by three numbers (saxes, trumpets, trombones). For example, 532 = 5 saxes, 3 trumpets, 2 trombones, 544 = 5 saxes, 4 trumpets, 4 trombones, etc. Almost all have 5 saxes, there are usually 3 or 4 trumpets, and 2-4 trombones.
Since it is typical for trombone parts to double trumpet parts (an octave lower), you can add trombone parts, if needed, by dropping the appropriate trumpet part down an octave (and transposed back to concert).
The Rhythm section almost always consists of piano, bass and drums (sometimes with guitar). Some of the Big Band Charts have vocals (usually one chorus) and can be easily replaced by a solo (or solos) if you don’t have a vocalist.
A few charts are basically “all” vocal (i.e., beginning to end). Those are noted as “vocals.” Scores are provided with charts that were written in Finale. The earlier “manuscript” charts do not come with scores.
If a chart is a transcription, it should sound very much like the recording. For many of the arrangements and original compositions of mine, I have mp3 recordings. Please ask me for specific titles and I will send them to you.
I also do custom work (big band transcriptions, big band arrangements, jazz ensemble, film scoring, karaoke tracks, etc.). Please click on ” Custom Work” (above) or go to mikehenebry.com (where I sell my original compositions).
I will expand or reduce any of the Big Band Charts (transcription or arrangement) here to fit your instrumentation for $30.
THE BIG BAND CHARTS:
Ah Yes, There’s Good Blues Tonight (’46 Les Brown/Doris Day) 544
Ain’t No Use (’66 Count Basie/ Artur Prysock) (male vocal) 544
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Ain’t She Sweet (arrangement) 544
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Ain’t That A Kick In The Head (’60 Dean Martin) (male vocal) 532
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Ain’t That A Kick In The Head (’60 Dean Martin) (male vocal) 544
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All I Ask Of You (Phantom Of The Opera) (arrangement) 544
All The Cats Join In (’44 Benny Goodman) 544
All The Things You Are (’39 Artie Shaw) (female vocal) 544
All The Way (Latin Rock) (female vocal) (arrangement) 544
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All The Way (’57 Frank Sinatra) 544
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Always (Bobby Darin) 544
America The Beautiful/God Bless America (arrangement) 532
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Any Old Time (’38 Artie Shaw) (female vocal) 532
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Auld Lang Syne (’39 Guy Lombardo) 432
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Auld Lang Syne (arrangement) 544
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Autumn Leaves (Kenton style arrangement) 544
Bach Goes To Town (’38 Benny Goodman) 532
Begin the Beguine (Artie Shaw) 544
Begin the Beguine (Frank Sinatra) 544
Begin the Beguine (Harry James, 1944) 544
Begin the Beguine (Melora Hardin) 544
Best Is Yet To Come, The (Frank Sinatra & Count Basie) 544
Bewitched (TV Theme song) (Steve Lawrence & Don Costa Orch., 1961) 544
Bewitched (TV Theme song) (Steve Lawrence & Don Costa Orch., 1961) (Tenor Band)
Beyond The Sea (’60 Bobby Darin) (male vocal) 544
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Big John’s Special (’39 Benny Goodman) 532
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Birthday Song, The (arrangement) 544
Birthday Song, The (Lucky Seven, expanded) 544
Blue Flame (as recorded by Woody Herman, 1946) 544
Blue Lou (’39 Benny Goodman + Metronome All-Stars) (same as above with added parts) 544
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Bugle Call Rag (’36 Benny Goodman) 532
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Cab Driver (arrangement) 544
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Celery Stalks at Midnight (as recorded by the Big 18) 544
Charleston (as recorded by Bob Wilson) 544
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Change Partners (’38 Larry Clinton) 532
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Cherokee (’39 Charlie Barnet) 544
Christmas Waltz (as recorded by Frank Sinatra) 533
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Coffee Song, The (Frank Sinatra) 544
Concerto For Clarinet (’42 Artie Shaw) 544
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Contrasts (Jimmy Dorsey) 544
Crazy He Calls Me (1961 Dakota Staton) 500 (no brass, saxes & rhythm only)
Crazy Rhythm (’40 Benny Goodman) 533
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Deed I Do (as recorded by Sammy Davis, Jr.) 544
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Ding-Dong the Witch is Dead (as recorded by Ella Fitzgerald & Billy May) 544
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Dippermouth Blues (’58 Glen Gray) 544
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Does Your Heart Beat For Me? (’39 Russ Morgan) (Short Version) 532
Don’t Be That Way (’56 Les Elgart) 544
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Don’t Cry For Me Argentina (tango) (arrangement) 544
Downhill Special (Benny Goodman) 544
Embraceable You (’52 Harry James) 544
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End, The (with optional string Qtet) (arrangement) 544+4
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Fascinating Rhythm (as recorded by Les Elgart)
Flip, Flop and Fly (as recorded by Big Joe Turner, expanded) 544
Five O’clock Whistle (as recorded by Erskine Hawkins) 544
For Dancers Only (’37 Jimmie Lunceford) 544
Fly Me To The Moon (Frank Sinatra, Count Basie) 544
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From This Moment On (Les Brown) 544
Frosty the Snowman (Louis Dowdeswell Big Band) 544
Gee, I Wish I Was Back in the Army (From the 1954 movie White Christmas) 544
Glory Days (from the Incredibles) (Louis Dowdeswell Big Band) 544
God Bless America (Kate Smith) 544
Grim Grinning Ghosts (optional bass sax part) 544
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Happy Go Lucky Local (’46 Duke Ellington) 532
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Harvard Blues (’44 Count Basie/ Jimmy Rushing) (male vocal) 544
Have Yourself a Merry Little Christmas (as recorded by Frank Sinatra) 544
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Hawaiian War Chant (’46 Spike Jones) (short version) 111 (Dixie instrumentation) $8
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Hawaiian War Chant (’42 Tommy Dorsey) (Live version w/ Buddy Rich & Ziggy Elman) 544
Heartaches (’47 Ted Weems) 432
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Headless Horseman, The (’49 Bing Crosby) 544 (choir in saxes)
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Here We Go Again (’43 Glenn Miller) 4681
He’s a Pirate (Pirates of the Caribbean) (as recorded by Uncle & the Bacon) 544
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Hit The Road Jack (arrangement) 544
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Honeysuckle Rose (as recorded by Anita O’Day, expanded) 544
I Believe in You (as recorded by Frank Sinatra) 544
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I Cried For You (’42 Harry James) (female vocal) 544
I Don’t Want To Walk Without You (’41 Harry James) (female vocal) 532
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I Get Ideas (’51 Louis Armstrong w/ Sy Oliver)(4 saxes, trumpet, trombone, rhythm) (male vocal 411 $8
I Have Dreamed (Frank Sinatra) 544
I Know Why (’41 Glenn Miller) (female vocal) 532
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I Put a Spell on You (as recorded by Bette Midler From Disney’s Hocus Pocus) 544
I Wanna Be Like You (The Monkey Song) (Jazz Loves Disney) 544
I Want to Be Evil (as recorded by Ertha Kitt, 1954) 544
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I Want a Hippopotamus For Christmas (as recorded by Gayla Peevey, 1953) (female vocal) 544
I Won’t Dance (Frank Sinatra) 544
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I’ll Be Glad When You’re Dead You Rascal You (as recorded by Louis Jordan & Louis Armstrong, expanded)
I’ll Be Seeing You (’38 Tommy Dorsey/Frank Sinatra) 532
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I’ll Never Say “Never Again” Again (’53 Benny Goodman/Helen Ward) 544
I’m Gonna Live Till I Die (’55 Frank Sinatra & Ray Anthony) 544
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I’m Livin’ In A Great Big Way (’35 Benny Goodman/Buddy Clark) 532
I’m Getting Sentimental Over You (’35 Tommy Dorsey) 532
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I’m Old Fashioned (’42 Benny Goodman) (male vocal) 532
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Imperial Boogie (based on Imperial March from Star Wars) (As recorded by Uncle & the Bacon) 544
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Inka Dinka Doo (ala ’34 Jimmy Durante) 532
In The Mood (’40 Glenn Miller) 544
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It Isn’t Fair (’50 Sammy Kaye/Don Cornell) 532
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It’s Been A Long Long time (’45 Harry James/ Kitty Kalen) 532
It’s Love I’m After (’36 Tony Martin)
It’s Not Unusual (Tom Jones) 544
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It Was Wonderful Then (’41 Bing Crosby/John Scott Trotter) 532
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I”ve Got You Under My Skin (Frank Sinatra) 544 + optional strings
Japanese Sandman, The (Artie Shaw) 544
Jazznocracy (’34 Jimmie Lunceford) 544
Juke For Teresina (from Walk on the Wild Side) (arrangement) 532
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Jump, Jive an’ Wail (as recorded by Louis Prima, expanded) 544
Jump in the Line (Harry Belafonte) 544
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Jumpin’ At The Woodside (’39/’54 Benny Goodman) 544
Just a Gigolo/I Ain’t Got Nobody (as recorded by Louis Prima, expanded) 544
King Porter Stomp (’35 Benny Goodman) 544
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Ko-Ko(’40 Duke Ellington) 533
La Bamba(arrangement) 544
La Vie En Rose (arrangement) 544
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La Vie En Rose (vocal, ala Mellissa Manchester)(female vocal) 544
Let’s Dance (’39 Benny Goodman) 544
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Little Drummer Boy (Count Basie) 544
Lonely Town (as recorded by Mel Torme)(male vocal) 544
Love, You Didn’t Do Right By Me (as recorded by Rosemary Clooney, 1954 )(female vocal) 544
Lovely To Look At (’35 Jan Garber) 532
Love Is Here To Stay (’38 Larry Clinton) 3730
Love Me or Leave Me (Sammy Davis, Jr.) 544
Lullaby in Rhythm (’38 Benny Goodman)544
Mack The Knife (’59 Bobby Darin) 544
Ma ‘Tit Fille (ala Buckwheat Zydeco)544
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Main Stem (’42 Duke Ellington)533
Manhattan (’46 Tommy & Jimmy Dorsey) 544
Me And The Moon (’36 Buddy Clark/Joe Reichman) 532
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Memories Of You (Arrangement ala Goodman) 544
Merry Xmas Everybody (Robbie Williams) 544
Midnight Sun Will Never Set, The (as recorded by Benny Carter, 1961, with Coleman Hawkins, Phil Woods, Jo Jones, et. al.) 504 (no brass on recording or chart)
Minnie the Moocher (Cab Calloway) 333
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Minor Swing (’37 Le Quintette du Hot Club de France, expanded) 644
Monday, Tuesday, Wednesday (I Love You) (Emma-Louise Birdsall) 544
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Mood Indigo (’64 Les & Larry Elgart) 544
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Moonglow (Ray McKinley & the Glenn Miller Orch.) 544
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Moonlight Becomes You (’62 Charlie Spivak) 532
Moonlight Serenade (’39 Glenn Miller) 544
Moonlight Serenade (trombone feature with optional string Qtet) (arrangement) 544+4
More (Bobby Darin) 543
More (Frank Sinatra) 544 + Optional Strings
More Than Yesterday (Spiral Starecase) 333
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My Inspiration (’61 Pete Fountain/Bud Dant) 544
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My Funny Valentine (with optional string Qtet) (arrangement) 544+4
My Way (Frank Sinatra) 544
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Never In A Million Years (’37 Ben Bernie/Buddy Clark) 532
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New York, New York (Frank Sinatra) 544
New York, New York (instrumental ala Sinatra) 544 + optional strings
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Nightingale Sang In Berkeley Square, A (’40 Glenn Miller) 532
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Nightingale Sang In Berkeley Square, A (Bobby Darin) (strings optional) 544 + strings
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Nightmare (’38 Artie Shaw) 532
Night Train (’52 Buddy Morrow) 532
Nobody Does it Like Me (Shirley Bassey) 544
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Ol’ Man River (James Anthony) 333
Old Fashioned Way, The (arrangement) 544
On the Street Where You Live (as recorded by Mel Torme)(male vocal) 544
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Out Of Nowhere (arrangement) 532
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Over the Rainbow (James Last) 544 + optional synth (strings)
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Pass That Peace Pipe (’47 Kay Kyser) 544
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Petite Fleur (’61 Pete Fountain/Bud Dant) 544
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Petite Fleur (SOG Big Band) 544
Pigeon Walk (’37 Jimmie Lunceford) 532
Please Don’t Talk About Me When I’m Gone (as recorded by Sammy Davis, Jr.) 544
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Pretend (arrangement) 544
Radio (arrangement) 544
Red Roses For A Blue Lady (Bert Kaempfert) 514
Redskin Rhumba (Charlie Barnet) 544
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River Stay ‘Way From My Door (Frank Sinatra) 544
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Rockin’ Hot Boogie (composed by Mike Henebry) 544 Can hear at: https://mikehenebry.com/listen/
Rockin’ the Blues (as recorded by Count Basie, 1940) 544
Roll ‘Em (’37 Benny Goodman) 544
Roll ‘Em (’39 Benny Goodman, “live” Camel Caravan) 4681
Sally’s Song & Jack & Sally’s Song (From the Nightmare Before Christmas)
(arrangement) 544
Sam’s Song (as recorded by Bing & Gary Crosby) (expanded) 544
Sam, You Made the Pants Too Long (as recorded by Barbara Streisand, 1966) 544
Santa Claus is Back in Town (as recorded by Kurt Russell) 544
Sara Lee (as recorded by Liza Minelli) 544
Save My Soul (as recorded by Big Bad Voodoo Daddy) (expanded) 544
Sea Cruise (50’s rock song) (arrangement) 544
Second Star to the Right (as recorded by Doris Day)
Sentimental Journey (’45 Les Brown/Doris Day) 532
Sheik of Araby (Billy May) 544
Sing Me A Swing Song (’36 Benny Goodman/Helen Ward) 532
Sing You Sinners (’37 Fletcher Henderson) 544
Six Lessons From Madame La Zonga (’40 Jimmy Dorsey/Helen O’Connell) 532
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Sixteen Tons (as recorded by Tennessee Ernie Ford) (expanded) 544
Skylark (’42 Glenn Miller) 544
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Snibor (based on Johnny Hodges recording) 544
Softly, As in a Morning Sunrise (as recorded by Bobby Darin) 544
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Soliloquy (From Carousel) (as recorded by Frank Sinatra) 544
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Someday (You’ll Want Me to Want You) (as recorded by Ray Charles) 544
Some Enchanted Evening (arrangement) 544
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So Rare (’57 Jimmy Dorsey) 532
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Stardust (’40 Artie Shaw) 544
Stardust (’36 Benny Goodman) 533
Stardust (’36 Benny Goodman) 544
Star Spangled Banner (instrumental) (arrangement) 544
Star Spangled Banner (vocal) (arrangement) 544
Stealin’ Apples (’39 Benny Goodman) 544
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Stompin’ Room Only (as recorded by Charlie Spivak, 1948) 544
St. Louis Blues (’38 Benny Goodman) 544
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St. Louis Blues (’39 Artie Shaw ) 544
Street of Dreams (Frank Sinatra with Count Basie) 544
String of Pearls, A (Goodman) 544
Swanee (’46 Al Jolson) 544
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Swingin’ Down the Lane (’57 Les Brown) 544
Swingtime In The Rockies (’38 Benny Goodman) 532
Sympathique (based on Pink Martini version) 544
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Tain’t What Cha Do (’39 Jimmie Lunceford) 544
Tender Trap, The (Frank Sinatra) 544
That Old Black Magic (’58 Louis Prima, expanded) 544
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That’s What God Looks Like to Me (Frank Sinatra) 544
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The Most Wonderful Time of the Year (as recorded by Andy Williams) 544
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There’s a Boat Dat’s Leavin’ Soon For New York (as recorded by Sammy Davis, Jr.) 333
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There’s a Boat Dat’s Leavin’ Soon For New York (as recorded by Sammy Davis, Jr.) 333 + Strings
There’s a Rainbow ‘Round My Shoulder (Bobby Darin) 544
There’s No Tomorrow (ala ’49 Tony Martin) 532
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This Guy’s In Love With You (Herb Alpert) 333
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This is My Life (Shirley Bassey) for brass band (vocal, 4 trumpets, Flugelhorn, Alto Horn, 4 French Horns, 2 Euphoniums, 4 trombones, Eb tuba, rhythm sect.)
Time After Time (’44Frank Sinatra)
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Too Close For Comfort (as recorded by Mel Torme)
Too Darn Hot (as recorded by Mel Torme)(male vocal) 544
Train Kept A-Rollin’ (as recorded by Tiny Bradshaw, 1951, expanded) 544
Tuxedo Junction (’40 Erskine Hawkins “live”) 544
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Tuxedo Junction (’40 Glenn Miller) 544
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Two Little Men in a Flying Saucer (’51 Ella Fitzgerald) 544
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Undecided (as recorded by Chick Webb & Ella Fitzgerald, 1939, expanded) 544
Unforgettable (Ray Anthony) 544
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Walk Hand in Hand (as recorded by Andy Williams, 1956) 544
Walk-on Music (9 short introductions) (arrangement) 543
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We’ll Meet Again (Vera Lynn) 544
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Well Did You Evah (Bing Crosby and Frank Sinatra) 544
What A Wonderful World (arrangement) 544
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What I Did For Love (as recorded by Engelbert Humperdinck) 333
Whatever Lola Wants (Sarah Vaughan) 544
When I’m Feelin’ Kinda Blue (Johnny Hodges & Wild Bill Davis) 544
When My Baby Smiles At Me (’61 Pete Fountain/Bud Dant) 544
When The Saints Go Marching In (arrangement) 544
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White Christmas (as recorded by Bing Crosby) 544
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White Christmas (as recorded by Bing Crosby) 544 with Strings
White Sport Coat, A (arrangement) 544
Where Are You? (Arthur Prysock/Count Basie) 544
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Who Can I Turn To (Sammy Davis, Jr.) 544
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Who Can I Turn To (Sammy Davis, Jr.) 544
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Winter Weather (as recorded by Benny Goodman with Peggy Lee, 1941) 544
$ 15.00 Original price was: $15.00. $ 7.50Current price is: $7.50. Add to cart
Winter Wonderland/Let it Snow Duet (as recorded by Bette Midler & Johnny Mathis) 544
$ 15.00 Original price was: $15.00. $ 7.50Current price is: $7.50. Add to cart
Wonderland By Night (’61 Bert Kaempfert) 514
Woodchoppers’ Ball (’39 Woody Herman) 532
World We Knew, The (arrangement) 544
Yoshi’s Island Athletic Theme (as recorded by the 8-bit Big Band) 544
$ 15.00 Original price was: $15.00. $ 9.00Current price is: $9.00. Add to cart
You Brought A New Kind Of Love To Me (’45 Benny Goodman) 532
$ 15.00 Original price was: $15.00. $ 9.00Current price is: $9.00. Add to cart
You Came A Long Way Fr St. Louis (‘Stan Kenton/June Christy) 544
$ 15.00 Original price was: $15.00. $ 9.00Current price is: $9.00. Add to cart
Younger Than Springtime (arrangement) 544
Be sure to check out the “Orchestra & Strings ” link above. There are some Big Band Sheet Music charts there that are Big Band + strings charts (and most of the time the strings are optional).